Cryptic News

Masahiro Takekawa (武川雅寛): とにかくここがパラダイス (Paradise) (1982) Fond/Sound
Good creative tools are virtuosic and open-ended thesephist.com
It’s probably just money: Why hosts do well at the Olympics DYNOMIGHT
Stuff I wanted to say to the historic district people but didn't The Universe of Discourse
Running my ThinkPad T430 with an eGPU in 2024 shutdown -r now
Look at what they tried to take from us The Universe of Discourse
Album Of The Week: Oso Oso life till bones Stereogum - Album of the Week
Underestimating Users bastian.rieck.me
From monopolies to tiny tools by solo devs www.nathalielawhead.com
Kneel Before The Emperor Of Mecatol Rex Lucidity
Everyday examples of morphisms with one-sided inverses The Universe of Discourse
Burst Damage Where's Your Ed At
Reliable JavaScript benchmarking with Tachometer Read the Tea Leaves
What makes a good human interface? thesephist.com
Online Dating the singularity is nearer
A Whole New World Mediocre Blog
Yoko Kanno (菅野よう子): 大航海時代 II (Uncharted Waters: New Horizons) (1993) Fond/Sound
Instrumental interfaces, engaged interfaces thesephist.com
Primitive Recursive Functions For A Working Programmer matklad
Tactical typing DYNOMIGHT
namesake mcmansion McMansion Hell
Git the stupid password store tylercipriani.com
Why I prefer rST to markdown Computer Things
Understanding the Gemini request and response (COSCUP 2024 draft) clehaxze.tw
A beginner’s guide to exploration thesephist.com
How Does OpenAI Survive? Where's Your Ed At
A notebook for seeing with language models thesephist.com
Is it okay to make connectedCallback async? Read the Tea Leaves
My most useful network troubleshooting commands and tools Mendhak / Code
Stop selling me trichotomies! Pursuit of Laziness